I guess I could live with two seconds, but three seconds is just too much, and not knowing if it is going to be one or three sec. I tried to ignore it for some time, but one day it seemed to be even slower, so I started doing some measurements. When I tried the camera for the first time, I remember a disappointment about the go-to-playback speed. Boost mode is always on, and batteries 100% or near. I have fast cards, bought specificly for the camera. I can be shooting a fixed setup on all Manual, and from one shot to another it can decide to go from one second to three seconds. Off course, I have tried to find some kind of sense in this, but no luck so far. Its high-resolution stills and 8K video capabilities stand in contrast to the high-speed shooting and fast-readout 4K capabilities of its X-H2S sister model. ![]() When it comes to video, the Fuji X-pro 3 has improved on its previous iteration as it supports full 4K video at up to 29.97p. (I have used a stopwatch, so not just guessing.) The Fujifilm X-H2 is a high-end 40MP APS-C mirrorless camera for both stills and video shooting. While a cropped sensor like this may not be able to deliver the high-detail images of a full-frame sensor, the Fuji X-Pro3 performs admirably, making us question the need to move to full-frame at all. However, sometimes it takes two seconds, and at other times it takes 1 second. Yup, sometimes my X-H2 takes three full seconds to show a picture after pushing the Play button. Of course nowadays there is a generation ( and maybe OP is one) of photographers who were born when film cameras were already gone and don’t even know what a 24mm was on a 35mm film camera. ![]() You are right, it would be better to use another way to talk about lenses like for example the field angular view ( how many degrees of an angle the lens shows) and refer to it alone. Really there are some consequences also concerning the relative aperture and sone like to point this out, but frankly this is a rather useless exercise. So the 35mm ( which on a FF would be a medium wideangle) is the “ standard” lens on the APS-C used by Fuji. So people still refer to the values relative to 24 x 36mm (or full format) simply as a mannar to communicate. Of course once you change the format this values also change but traditions are hard to kill. For your information, the Fujifilm X mount is suitable for Fujifilm mirrorless cameras with APS-C sensor (23.6mm × 15.6mm). ![]() The les closest to this value is the so called “ standard lens”. They are at least ever since there were cameras around with a sensor smaller than 24 x 36mm, which was the size of the analog film, first invented for the moving pictures cameras and then used by Oskar Barnak when he invented the LEICA camera around the film format in order to use the widely available double perforated film.Ĭonventionally the “ standard lens" value is give by calculating the diagonal, in millimeters, of the format. however for crop lenses like Fujis X-mount (aps-c) you have to calculate the 35mm (FF) equivalent ie: a fuji 18- 55mm (x 1.5) would be equivalent to 27mm -82.5mm full frame lens. Equivalence values are a tradition in photography. yes Nikon FX lenses are Full Frame (FF) the numbers you see engraved will work on full frame mounts.
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